So music grab bag to wrap up the week. First, Cher. Sophie Edwards (HOME & GARDEN) reports:
Few things are as iconic as Cher, though her former Malibu estate certainly comes close. This impressive property draws deep inspiration from North African and Middle Eastern aesthetics, resulting in a home rich with history. Conceived by the incomparable Martyn Lawrence Bullard, the residence makes a striking first impression, starting with the front garden.
As visitors approach the property, they are greeted by front yard landscaping featuring a Moroccan-style fountain set against elegant arched doorways. Sandstone tiles ground the outdoor space, which is framed by lush green beds. Even in the crisp light of early spring 2026, the courtyard remains vibrantly bright.
Cher’s garden idea offers more than just visual appeal. Master gardener and author Thom Rutter explains: 'The planting used in Cher's front yard has been selected for both practical and aesthetic reasons.' He notes that, 'Inspired by tropical garden ideas, Cher has incorporated drought-tolerant planting ideas alongside a central star-shaped water feature and light-colored stone, perfectly complementing her Malibu home behind.'
Check out the photos, Cher's really created something. Madonna's working to make CONFESSIONS II happen. Joe Lynch (BILLBOARD) reports:
The gay community has been hung up on Madonna for decades — and the feeling has always been mutual, with the Queen of Pop consistently using her platform to advocate for LGBTQ+ people worldwide, even way before it was socially acceptable for pop stars to do so.
So it’s only fitting that ahead of the release of Confessions II — the sequel to her 2005 dancefloor masterpiece Confessions on a Dance Floor — Madonna is teaming up with Grindr for a global collab to launch her hotly anticipated album.
On Friday (April 24), Madonna is taking over the grid — meaning the Global Gayborhood in Your Pocket is now officially part of the Queen of Pop’s realm. The in-app experience features exclusive content, location-aware moments that appear in the Global Gayborhood and limited-edition product drops — one of which is an exclusive picture disc of Confessions II, handpicked by Madonna, available only for Grindr users.
“Thanks for coming” is the opening benediction of Confessions II, an album designed to unite people on the dancefloor in real time. Similarly, the Madonna x Grindr experience “rewards participation and discovery,” according to the press release, “connecting users not just to content, but to each other” — i.e., all the beautiful strangers in the Gayborhood.
Seth Abramovitch (THE HOLLYWOOD EPORTER) adds:
Fresh off a triumphant guest turn at Coachella, the Queen of Pop is doing what she does best — getting attention — in a different kind of crowded venue: the gay hookup app Grindr.
As one of the “few brand partners hand-selected by the OG Mother,” a press release announces, the icon is “taking over” the yellow app to bring “community into her world — just in time for Pride season.”
What that means for Grindr users right now is that their profile grid will always contain one square devoted to Madonna, reclining in a fuchsia body stalking with zebra stripes projected over her.
Click on the square (which you can’t block) and you get a message from Madonna herself:
“Hi Grindr. It’s Motha. I made an exclusive vinyl of my new album just for you. I could have dropped it anywhere but I wanted to go where the hottest action was, so I got on the grid. Are you ready for Confessions II?”
Grindr teases that it is “just getting started” with the artist takeover, which will extend to further offerings on the app and in the brand’s socials.
Hopefully, CONFESSIONS II will be a great album. Ten years ago, a great album was released. Brooke Bobb (HARPER'S BAZAAR) notes:
I remember how I felt the first time I watched Beyoncé’s 2016 visual album Lemonade. I curled up alone in a chair in my bedroom about two feet from the TV (I moved closer after the first five minutes, wanting to be more in it). I was rapt. I couldn’t remember a time when I felt so emotionally engrossed in a score of music. This was cathartic, radical, rebellious, romantic, political, and personal. I was watching a woman grapple with love and loss, with deceit, power games, and fame. It was also a masterpiece of modern fashion. Every fur coat, hoodie, Gucci monogram set, pinafore, and turn-of-the-century lace bodysuit said something important. This was the album that made “slay” go mainstream and Beyoncé’s clothes underscored that idea of embracing unbridled, unapologetic confidence.
“Hold Up,” a pop-reggae anthem on the album, is peak slay. As Lemonade turns ten years old today, I keep coming back to the searingly glorious image of Beyoncé emerging from a flooded building, then skipping down the gritty, city sidewalk in platform heels while wielding a baseball bat, a big fat smile across her flawless face. She swings the bat around while prancing by bodegas and stoops, singing lines like “What a wicked way to treat the girl that loves you.” She smashes the windows of a car while belting out “You let a good love go to waste.” And she’s wearing a mustard-colored, tiered ruffle gown from Roberto Cavalli, its sheer wispy fabric swirling and whirling as she knocks off the top of a fire hydrant.remember how I felt the first time I watched Beyoncé’s 2016 visual album Lemonade. I curled up alone in a chair in my bedroom about two feet from the TV (I moved closer after the first five minutes, wanting to be more in it). I was rapt. I couldn’t remember a time when I felt so emotionally engrossed in a score of music. This was cathartic, radical, rebellious, romantic, political, and personal. I was watching a woman grapple with love and loss, with deceit, power games, and fame. It was also a masterpiece of modern fashion. Every fur coat, hoodie, Gucci monogram set, pinafore, and turn-of-the-century lace bodysuit said something important. This was the album that made “slay” go mainstream and Beyoncé’s clothes underscored that idea of embracing unbridled, unapologetic confidence.
“Hold Up,” a pop-reggae anthem on the album, is peak slay. As Lemonade turns ten years old today, I keep coming back to the searingly glorious image of Beyoncé emerging from a flooded building, then skipping down the gritty, city sidewalk in platform heels while wielding a baseball bat, a big fat smile across her flawless face. She swings the bat around while prancing by bodegas and stoops, singing lines like “What a wicked way to treat the girl that loves you.” She smashes the windows of a car while belting out “You let a good love go to waste.” And she’s wearing a mustard-colored, tiered ruffle gown from Roberto Cavalli, its sheer wispy fabric swirling and whirling as she knocks off the top of a fire hydrant.
The dress (which became an instant meme, with fans calling it the ultimate revenge dress) was designed by Cavalli’s creative director at the time, Peter Dundas, who first showed it on the Fall 2016 runway in Milan. “She always transforms the clothes into something much bigger,” Dundas said over the phone last week. Now helming his own brand, Dundas, and doing some design consulting, he mentioned that he has been collaborating with Beyoncé since the early 2000s, but this moment felt particularly kismet. It was actually B. Akerlund, wife of Lemonade director Jonas Akerlund, who chose the yellow dress for “Hold Up.” As Dundas recalls, it was by chance that the inspiration behind his Fall 2016 collection fit within the realm of Beyoncé’s narrative for this particular song. “It was very much about the combination of these independent creatures,” he said. “We called the collection ‘The Witches.’ They were pagan, and they were strong and sensual, and there was this unapologetic femininity as well.”
Chris Deville (STEREOGUM) notes:
Everybody loved it. Not just the usual suspects, either. I distinctly recall hearing praise from relatives and acquaintances outside Beyoncé's core demographic — middle aged straight white dads who have sometimes shrugged or scoffed at her, declaring that this new one was "actually pretty good." And from those already accustomed to bowing before Queen Bey, the acclaim was overwhelming.
Lemonade, released 10 years ago today, occupied a vaunted space within pop culture. Plenty of fans and critics have since cooled on it, and any assertion that it's Beyoncé Knowles' best work is bound to be disputed — quite reasonably, considering how many showstopping albums her catalog contains. But in its moment, the world stood in awe of this high-concept flex: a genre-jumping opus that flipped juicy celebrity gossip into a story that worked as memoir and cultural treatise, blown out in scope by a companion film that functioned as an album-length music video. It's a staggering achievement, one that would have seemed unthinkable a few years earlier.
For years, Beyoncé made hits. Ever since her Destiny's Child days, she'd been steadily churning out radio and MTV staples, recordings that saturated and sometimes shaped pop culture. "Say My Name," "Bootylicious," "Crazy In Love," "Irreplaceable," "Single Ladies" — these are not just songs, they're colossal entities that firmed up phrases in the lexicon, left behind indelible images, and became part of the fabric of society. Beyoncé had so many of these kinds of songs, and they were more than enough to make her a legend. Yet as time went on, she showed interest in becoming an album artist too.
This was a fascinating balance to strike. Bey adopted an alter ego for the 2008 conceptual double disc I Am... Sasha Fierce, but the hits overshadowed the gimmick. Her 2011 LP 4 was her most accomplished and acclaimed body of work, but its singles didn't become inescapable monoliths. Beyoncé disappeared into the background for a while, and some of us had the sense that she was transitioning out of her imperial phase as a recording artist. In actuality, she was working hard behind the scenes, preparing to change the game with that digital drop.
Beyoncé's self-titled album, released without notice one night in December 2013 with music videos for every track, redefined her career. Backed by a dumbfounding assortment of performers, producers, writers, directors, and even Nigerian literary giant Chimamanda Ngozi Adichie, Beyoncé had created not just an album but a densely layered multimedia project. Arriving at a time when critics and hipsters were taking pop stars more seriously than ever, the album validated the idea that pop could be the vanguard, and its rapturous reception altered Beyoncé's trajectory. She didn't stop making hits, but she became the kind of artist for whom hits were secondary, who specialized in luxurious statement albums that dominated the cultural conversation regardless of where they charted. She was now a critical darling, a bold innovator, an untouchable larger-than-life figure.
Closing with C.I.'s "The Snapshot:"
Former Homeland Security Secretary Kristi Noem has continued using a waterfront house on a military base in Washington, D.C., that she took over as a cabinet member, according to people familiar with the matter.
A black Suburban SUV typically used by Noem was seen parked in front of the house earlier this week, those people said, and U.S. Coast Guard officials have spotted Noem on the base in recent days.
Noem
moved into the house on Joint Base Anacostia-Bolling, which is
typically designated for the commandant of the Coast Guard, after
President Trump last year fired Linda Fagan, the commandant at the time.
The Coast Guard generally falls under the purview of the Department of
Homeland Security.
Noem has continued to use the house since Trump ousted her from DHS in early March. She officially left the job after Markwayne Mullin was confirmed as the new secretary.
Noem is now serving as Trump’s special envoy for the Shield of the Americas—Western Hemisphere, a security initiative created by the administration at the State Department.
Warren: “We’re keeping up the fight to protect — and expand — Social Security to make sure it’s here for generations of Americans to come.”
Washington, D.C. – Senate Democrats’ Social Security War Room, led by U.S. Senator Elizabeth Warren (D-Mass.), published a new report highlighting how, in its first year, it has fought to protect Americans’ Social Security benefits.
“Since Day One, Donald Trump’s attacks on Social Security have made it harder for Americans to get their benefits. We launched our Social Security War Room a year ago to fight back and stop Trump’s damage, and that’s exactly what we’ve done,” said Senator Warren. “We’re keeping up the fight to protect — and expand — Social Security to make sure it’s here for generations of Americans to come.”
Breaking his campaign promises to “not touch” Social Security, Donald Trump has taken a wrecking ball to the Social Security Administration (SSA), jeopardizing Americans’ access to their hard-earned benefits. President Trump and his SSA Commissioner, Frank Bisignano, have slashed thousands of employees and upended critical services at field offices and on the agency’s customer service phone line — resulting in backdoor benefits cuts for Americans.
Senate Democrats launched the Social Security War Room one year ago to fight for seniors, draw attention to this customer service chaos President Trump and Commissioner Frank Bisignano have caused at SSA, and counter their relentless attacks on the agency and Americans’ benefits. One year later, the War Room has succeeded in stopping many of President Trump’s harmful policies in their tracks, including:
- Launched Investigations Revealing True Metrics: Since its launch, the Social Security War Room has exposed the Trump Administration’s attacks on Social Security and initiated nearly two dozen investigations and reports – some of which forced the Administration to reverse course on harmful policies. When Americans reported waiting hours on the phone to talk to a SSA representative while the agency listed conflicting metrics online, Democrats conducted an investigation that revealed the truth about long wait times. The investigation found the average call wait time was over ten times higher than what the SSA claimed online – if the call was even answered at all.
- Debunking Myths and Misinformation: When the administration put out inaccurate statements that misled the public about the state of Social Security, the War Room was quick to respond, fact-checking the administration’s statements and debunking its myths. This included the Trump administration’s baseless claims of rampant fraud, along with its outright lies about the impact of Trump and Republicans’ One Big Beautiful Bill on Social Security benefits.
- Secured Key Commitments from Social Security Head: After a personal meeting with Senator Warren, the Social Security War Room secured key commitments from Commissioner Bisignano to better protect Americans’ benefits, including that he would not make it easier to fire SSA workers by shifting them to Schedule F, would ensure Americans who can only access benefits through paper checks would still be able to get them, and importantly, would cooperate with an independent Inspector General investigation of Social Security data and metrics. During the meeting, the Commissioner also admitted he was responsible for a blast email that went out to all SSA beneficiaries inaccurately describing how President Trump’s OBBBA would affect benefits.
- Introduced Bills to Support and Expand Social Security: Members of the Social Security War Room have led the charge to introduce legislation to safeguard Social Security and reverse the Trump administration’s disastrous cuts, including introducing the Keep Billionaires Out of Social Security Act. Protecting Social Security also means ensuring future generations can access the program and expanding benefits for seniors and people with disabilities. In the fall, Democratic senators in the War Room also introduced the Social Security Emergency Inflation Relief Act, which would temporarily expand Social Security benefits to ensure they can meet the moment and cover the increased cost of living older Americans are facing under the Trump administration. Later, Social Security War Room leaders reintroduced the Supplement Security Income Restoration (SSI) Act, which would make long-needed updates to the program to ensure beneficiaries can live with dignity and are not trapped in poverty.
President Trump’s policies and Commissioner Bisignano’s disastrous leadership continues to threaten Americans’ benefits, including by haphazardly shifting employees and limiting field office services to cover over the administration’s catastrophic staff cuts. And Trump administration officials and Republicans in Congress have floated alarming proposals that would weaken Social Security – including raising the retirement age.
As the Trump administration, Commissioner Bisignano, and Republicans in Congress continue to undermine Social Security, the War Room will sound the alarm and fight back, preventing the administration from gutting the agency and working to increase Social Security benefits and ensure the program is here for generations to come.
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BlackCommentator.com April 23, 2026 Issue 1084 |
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