Let's again start with Dolly. Paige Gawley (AMERICAN SONGWRITER) reports:
Dolly Parton is getting her flowers. During the 19th Academy of Country Music Honors, Carter Faith, Carly Pearce, and Kaitlin Butts teamed up for an incredible performance of Parton’s hit, “9 to 5.”
The trio of country stars took lines of each verse individually. They joined their voices together during the chorus of the iconic 1980 track.
[. . .]
The performance came the same night that Parton received the ACM Poet’s Award. The distinction recognized Parton’s extraordinary, decades-long impact as one of country music’s most gifted and influential songwriters.
So good for Dolly. She's more than earned -- and more than deserves -- the recognition. An album is drawing attention to a major cultural event from the 80s. Paul Sinclair (SUPER DELUXE EDITION) reports:
A selection of Wham!’s live performances from their historic 1985 trip to China will be released for the first time, on a special live EP in December.
10 Days in China – The Live EP features four songs that all went to number one in the UK and/or the USA with two (‘Wake Me Up Before You Go-Go’ and ‘Freedom’) from the first concert in Beijing and a pair (‘Everything She Wants’ and ‘Careless Whisper’) from the second (and last) show in Guangzhou.
This live audio has been newly mixed and mastered by Chris Porter from the original recordings and will be released on 12-inch vinyl and CD single. Whether this EP is a taster of a full length live album next year or all we’ll be getting, remains to be seen.
December 4th is when the album's set to be released. Wham going to China was huge back in the day. They were the first western band to perform there. In other news, Jake Fitzpatrick (FAR OUT) notes:
A sprawling three-day celebration of music, peace and love, Woodstock is often remembered as the defining gathering of the 1960s counterculture, attended by hundreds of thousands of people collectively dreaming of something better.
Yet for all of its mythology, the festival was actually overwhelmingly male, with only Melanie and Joan Baez appearing as solo female acts, and for the former, 22 years old, the experience would prove to be far more profound than she ever could have imagined.
The daughter of a jazz singer, Melanie grew up in Queens, New York, constantly surrounded by music. Her mother, a jazz singer, introduced her to artists including Kurt Weill, Billie Holiday and Bessie Smith, with Melanie later recalling, “It was solo women singing their hearts out. All that really hit me”. By the age of five, she was already writing songs, which eventually led to her performing gigs at the Greenwich Village coffeehouse scene while still in high school.
After a brief spell with Columbia Records that failed to take off, she subsequently left the label before her husband and producer, Peter Schekeryk, encouraged her back into music. While the pair were in London in 1970, Melanie was invited to perform at Woodstock, and at the time, she had a rather different idea of what the festival would be.
“I had pictured… three days of peace, love, and music was going to be more like a picnic with kids, families, arts and crafts, and going shopping,” she recalled, “I had no clue!”
Her journey there did little to correct that impression. Melanie’s mother drove her to Woodstock, although they initially went to the wrong place before finding their hotel, where the singer found herself alone with her mother, rubbing shoulders with some very familiar faces. “We got to the hotel, and there’s Sly Stone walking by. Then, surrounded by media, was Janis Joplin drinking Southern Comfort,” she fondly remembered.
The reality of Woodstock came crashing onto her prior to taking to the stage, where an audience of roughly 400,000 people stretched out before her, by far her largest audience to date. As she waited in the wings, it started to rain, and the announcer then encouraged the crowd to light candles in an attempt to keep the rain away. Melanie subsequently walked onstage wearing a loose-fitting red tunic and trousers, sitting alone on a metal folding chair and began to sing.
Melanie was one of a kind and she is truly missed. Also at FAR OUT, Andrew Clayman notes:
In 1936, the New York newspaper columnist Oscar Odd McIntyre rather eloquently described the talents and shortcomings of “the most enduring bar balladist” in America, a singer named Tommy Lyman.
“He has been moving from table to table in dives and cafes in many parts of the world for more than twenty years,” McIntyre wrote. “A pasty-faced, sad-eyed fellow with little voice yet an ability to entertain, especially when the crowds have reached a mellow mood. He is originator and coiner of the term ‘torch song’, a lament for lost love. And an increasing radio horror.”
Tommy Lyman isn’t famous enough to warrant having his own Wikipedia page today, but back in the Jazz Age, he was a prominent enough song-and-dance man to be right at the centre of how the literal language of lounge music was unfolding. Along with being among the early microphone-wielding artists to be labelled under the modern “crooner” category, Lyman was also the recognised inventor of an entire genre of songwriting, or song styling perhaps, known as torch singing.
In the late 1910s, Lyman co-operated a spaghetti joint in Kansas City with a business partner named Joseph Hamm. While there, he supposedly wrote a song tied in with the old poetic idea of “carrying a torch” for a lover you’ve had a falling out with, although Lyman would later claim to have invented the entire concept itself.
“‘Carrying the torch’ was an expression I created when I wrote the first ‘torch song’ called ‘Gee, But It’s Tough When the Gang’s Gone Home’,” Lyman told the syndicated columnist Louis Sobol in 1931, right before name-dropping his subsequent adventures with a who’s who of entertainers and important types, from Al Jolson, George Gershwin, Irving Berlin, and Fred Astaire to the Prince of Wales. Lyman didn’t mention the time he was deported from France in 1926 after getting into fisticuffs with some soldier who claimed to be Winston Churchill’s nephew.
[. . .]
By 1953, the category of music was so well known that a major Hollywood film, starring Joan Crawford, was titled Torch Song. A year after that, in the first of numerous remakes of A Star Is Born, Judy Garland arguably took the torch era to its peak moment with her rendition of a brand new torch song, ‘The Man That Got Away.’
With words by Ira Gershwin and music by Harold Arlen, who’d penned ‘Over the Rainbow’ for Garland 15 years earlier, ‘The Man That Got Away’ captured everything that was moving and powerful about a good torch song. The way that very specific forlorn sense of hopeless defeat meets a mature sort of “show must go on” resignation: “The night is bitter / The stars have lost their glitter / The winds grow colder / Suddenly you’re older / And all because of the man that got away.”
With Garland, who also sang a portion of the aforementioned ‘My Melancholy Baby’ in the same film, the loungy novelty of Tommy Lyman’s “invention” transcended its original “woe is me” male-centric origins to become a universal encapsulation of the pain of rejection or a love lost. ‘The Man That Got Away’ has since been covered by everyone from Jeff Buckley to Jessie Buckley; Barbra Streisand and Frank Sinatra to Shirley Bassey and Sheena Easton.
So that's a pretty interesting history of torch songs. In 1981, Carly Simon released TORCH, her collection of TORCH songs. It's a great album, however, her 1990 MY ROMANCE is a classic album of torch songs. Frank Sinatra was also a torch singer. Especially after Ava Gardner left him.
Lastly, Christine Burroni (PARADE) reports:
Singer Raye may not be releasing another album anytime soon.
While speaking on NBC’s Today, following her performance on the plaza, the singer shared why there are no plans on the horizon to come out with more music.
“I’m on strike from like making an album until until I fall in love, basically,” she shared.
The “WHERE IS MY HUSBAND!” singer went on to explain that she needs a “perspective” shift ahead of recording anything new.
“You know what it is. I’ve written so many songs, right?” she said to Dylan Dreyer, Al Roker, and Craig Melvin. “And my perspective has largely just been, ‘Oh, this didn’t work out,’ or ‘This sucks,’ or ‘I’m alone,’ or you know, ‘Oh my ex that time,’ and ‘My ex that time.’ So I’m very just bored of that perspective, and so I think I’m just really excited to like find another project, see what happens in life, and just enjoy the twists and turns, do shows, do all of that stuff.”
Closing with C.I.'s "The Snapshot:"
Trump returned to office in 2025 pledging to curb wasteful government spending. Treasury secretary Scott Bessent vowed to curb the budget deficit to 3 per cent of GDP by the end of Trump’s term.
The US gross national debt reached $40tn for the first time on Wednesday, the highest in US history.
The government deficit doubled over the past decade, with government spending growing under both Donald Trump and Joe Biden – Trump approved $8.4tn worth of debt during his first term, with a large chunk going to Covid-19 relief spending, while Biden approved $4.3tn worth of debt.
In fiscal year 2026, which began in October 2025, $1.8tn has been added to the debt so far.
Both Democrats and Republicans responded to the milestone with outrage, with Democrats placing the blame on Trump and a Republican-controlled Congress for the uptick in spending.
“The President said he’d pay off the debt in his first term. Well we all knew that was a lie. Instead he ran it up to $40 trillion while he and his family made billions,” Mark Kelly, a Democratic senator from Arizona, posted on X.
“Republicans ran up the tab, handed billionaires another tax break, and now wanna lecture working families about ‘fiscal responsibility’. You can’t max out the card AND pretend you’re the accountant. Pick a struggle,” Jasmine Crockett, a Democratic congresswoman from Texas, said.
“The Republican One Big Ugly Bill adds over $4 trillion alone—all to shamefully give tax breaks to billionaires and corporations,” Jason Crow, a Democratic congressman from Colorado, posted on X.
President Donald Trump’s war against ABC and Disney for platforming comedian Jimmy Kimmel has boomeranged on him, with the entertainment behemoth suing Trump’s FCC for violating their First Amendment rights. More recently, the FCC has challenged ABC’s broadcasting licenses.
Even a conservative newspaper is siding with ABC and Disney over the Trump administration.
“ABC sued the FCC on Tuesday for ‘coercing and retaliating’ because it ‘refuses to bow to the Administration’s demands,’” wrote The Wall Street Journal editorial board on Tuesday.
“The lawsuit says the government has violated its First Amendment
rights ‘by launching pretextual regulatory investigations and
threatening the Stations’ valuable broadcast licenses.’”
Describing FCC Chairman Brendan Carr as a “mob-boss” and agreeing with the premise of the lawsuit, the Journal opined that Trump’s FCC is indeed violating “the First Amendment by letting the FCC interfere in editorial judgments and suppress disfavored content and viewpoints. ABC’s lawsuit says the FCC’s pressure has resulted in it ‘passing on further consideration of booking several political candidates,’ and none have appeared on the program since February.”
The Journal added that Carr once criticized Democratic administrations for violating free speech rights, and concluded that “in 2020 he lambasted a progressive media group for petitioning the FCC to censor broadcasts of Mr. Trump’s Covid press conferences, calling it a ‘dangerous and sweeping attempt by the left to weaponize the FCC.’
"It’s a shame Mr. Carr won’t defend ABC’s free-speech rights today," the board added.
Yesterday on NPR's MORNING EDITION, Leila Fadel spoke with FCC Commissioner Anna Gomez:
LEILA FADEL, BYLINE: ABC agreed to a settlement with President Trump over a defamation lawsuit, and there were critics at the time that said, well, you're just conceding to an intimidation over your - over speech. That was the criticism at the time. Why do you think the network is now choosing to challenge the actions of the government versus settle?
ANNA GOMEZ: One of the things that we learned from this administration is if you capitulate, it doesn't buy you peace from the administration. Instead, it just buys you time. The administration will keep coming back and continuing the threats, continuing to use whatever leverage it can in order to retaliate against critics. And so Disney has found its courage and it is pushing back. And this is good. It's good for the First Amendment, it's good for the public and it's good for broadcasters in general.
FADEL: The FCC chief, Brendan Carr, says that he is upholding requirements that broadcasters operate in the public interest. What do you say to that?
GOMEZ: When we talk about the public interest traditionally, we say we want licensees to provide service to their communities and that means providing them content that matters to the communities. The problem with saying that you're using this public interest standard in a vague way is it's now being wielded about in order to say, any content we don't like is contrary to the public interest. That is not what our Constitution allows the FCC to do, it is not what our Communications Act allows the FCC to. And so I've called on the FCC to say, OK, if we're going to say - keep using this public-interest standard - a vague, nebulous standard that really has no definition - then the FCC needs to establish rules that specifically say what that means. And if those rules violate the First Amendment, then we will learn that lesson.
FADEL: Are other commissioners concerned? I know you're the only Democrat on the commission, and there might be people listening to you saying, well, that - she thinks that 'cause she's a Democrat and the president is not. Are other commissioners concerned?
GOMEZ: Well, I will say this. Protecting the First Amendment is not a partisan issue. And, in fact, this FCC has heard from former FCC chairs that were Republicans, former FCC commissioners that were Republicans. We have heard from Senator Cruz, Senator Kennedy and other Republicans who have been concerned about the FCC's actions and their effect on the First Amendment. There is bipartisan support for respecting the First Amendment.
U.S. Defense Secretary Pete Hegseth “hid” how Iran had destroyed much of the main resupply base for the U.S. military in the Middle East, according to MS Now, as concerns grow about the conditions faced by sailors on board USS Abraham Lincoln.
The network’s senior national security reporter David Rohde made the claim about the aircraft carrier, which, according to The New York Times, has faced supply problems since Iranian strikes hit the logistics hub Naval Support Activity Bahrain at the start of the war.
During a segment in MS Now discussing President Donald Trump’s dismissal of reports of low morale
and the mental health concerns of those aboard the carrier during an
unusually long deployment, Rohde said the resupply issue was “because
Pete Hegseth hid the fact that Iran destroyed the main resupply base
that the United States has in the Gulf.”
“He did not make that public in press conference after press conference, and that is, again, the way that they have mishandled this war,” Rohde added.
The USS Abraham Lincoln wasn’t able to be resupplied because the U.S. Navy’s main resupply base in the Gulf of Oman was destroyed by Iranian strikes—a fact that Defense Secretary Pete Hegseth chose not to make public, David Rhode, MS NOW’s senior national security reporter, said on Tuesday.
From late February until June, Iran launched extensive missile and drone strikes on Naval Support Activity Bahrain, causing devastating damage that was not acknowledged by the Pentagon.
The U.S. Navy was forced to evacuate most personnel, and move supply operations to a U.K. naval base on Diego Garcia, a tiny island in the Indian Ocean 2,200 miles from where two aircraft carrier groups have been operating in the Gulf of Oman.
[WASHINGTON, D.C.] – Combat Veteran and U.S. Senator Tammy Duckworth (D-IL) joined all of her fellow members on the U.S. Senate Armed Services Committee (SASC) minority, as well as the Democratic leaders of the Senate Appropriations Committee and Subcommittee on Defense, in demanding answers from Secretary of Defense Pete Hegseth about deteriorating conditions aboard the USS Abraham Lincoln. The Senators’ letter follows reports that the aircraft carrier’s crew has endured food and water shortages, broken plumbing and mental health crises severe enough that multiple sailors reportedly attempted to go overboard during its record-setting deployment. The Lincoln has been at sea for more than 250 days, including over 200 consecutive days without a port call, the longest continuous deployment at sea for a U.S. aircraft carrier in the modern era.
In the letter, the Senators wrote: “Our sailors and Marines signed up to serve and to be treated with respect. They did not sign up to be kept at sea indefinitely with no announced return date and, by multiple accounts, without reliable food, hot water, or working plumbing. That is not how we treat the men and women we ask to carry out this mission.”
“This situation was preventable, and the conditions aboard the Lincoln are nearly identical to the issues faced by the USS Ford when it conducted an extended deployment that ended earlier this year,” the Senators continued. “The USS Lincoln was redirected to the Middle East as the war with Iran began and has remained there as that war has dragged on with no clear endpoint. This is a symptom of poor planning by both you and the President and exacerbated by the deeply unsound decision to start a war with Iran. Open-ended deployments driven by an open-ended war have real consequences for our servicemembers, and we are seeing those consequences now.”
The Senators pressed Secretary Hegseth on his Department’s failure to provide a clear timeline for the crew’s return and condemned his public dismissal of the reports as “completely misrepresented,” as well as President Trump’s remarks suggesting the Lincoln had not been deployed “nearly long enough.” The Senators demanded detailed answers on mental health and medical resources aboard the ship, the state of good order and discipline, hygiene and food conditions, the full extent of the reported man-overboard incident and support being provided to military families, along with a formal request for a bipartisan congressional delegation to visit the ship.
Along with Duckworth, the letter was co-signed by the following SASC members: Ranking Member Jack Reed (D-RI), Jeanne Shaheen (D-NH), Kirsten Gillibrand (D-NY), Richard Blumenthal (D-CT), Senator Mazie Hirono (D-HI), Tim Kaine (D-VA), Angus King (I-ME), Elizabeth Warren (D-MA), Gary Peters (D-MI), Jacky Rosen (D-NV), Mark Kelly (D-AZ) and Elissa Slotkin (D-MI). U.S. Senators Patty Murray (D-WA) and Chris Coons (D-DE) of the Senate Appropriations Subcommittee on Defense also joined.
The full text of the letter is available on Senator Duckworth’s website and below:
Dear Secretary Hegseth,
We write regarding the deployment of the USS Abraham Lincoln and mounting evidence that conditions aboard the carrier have deteriorated to the point that the safety and wellbeing of its crew could be compromised. These are deeply troubling reports, and the American people deserve honest answers.
The USS Lincoln departed San Diego on November 21, 2025. The ship has now been deployed for more than 250 days, including over 200 consecutive days without a port call, setting a modern-day record for continuous time at sea for a U.S. aircraft carrier. Family members of the sailors and Marines serving aboard have received urgent messages describing conditions that should alarm you, and everyone serving in a position of leadership at the Pentagon, to include concerns about exhaustion, food and water shortages, and mental health crises serious enough that multiple sailors reportedly attempted to go overboard.
In response to these reports, you publicly stated that the conditions aboard the carrier have been “completely misrepresented.” Even more galling, when asked by reporters about the conditions on the Lincoln, President Trump dismissed the concerns of the families and stated that the Lincoln had not been deployed “nearly long enough.”
Our sailors and Marines signed up to serve and to be treated with respect. They did not sign up to be kept at sea indefinitely with no announced return date and, by multiple accounts, without reliable food, hot water, or working plumbing. That is not how we treat the men and women we ask to carry out this mission.
This situation was preventable, and the conditions aboard the Lincoln are nearly identical to the issues faced by the USS Ford when it conducted an extended deployment that ended earlier this year. The USS Lincoln was redirected to the Middle East as the war with Iran began and has remained there as that war has dragged on with no clear endpoint. This is a symptom of poor planning by both you and the President and exacerbated by the deeply unsound decision to start a war with Iran. Open-ended deployments driven by an open-ended war have real consequences for our servicemembers, and we are seeing those consequences now.
Recent press reports indicate that the USS George Washington will be deployed to the Middle East to relieve the USS Abraham Lincoln. While that is welcome news, the Department’s mismanagement of carrier deployments also means that the U.S. will not have an aircraft carrier in the Pacific for the foreseeable future. However, ensuring the USS Lincoln returns to port takes precedence, and it is incumbent on the Department to inform Congress, and the families, on the plan and timeline to get the crew home. Denial and defensiveness are not acceptable responses. Congress and these families need accountability.
Given the seriousness of these reports, we request written answers to the following:
- What is the current timeline for the USS Lincoln’s relief and return to homeport, and what specific operational requirements are driving continued extensions of this deployment?
- Was the crew informed that the deployment could be extended indefinitely? Have any members of the crew been changed out since the beginning of this deployment, and if so, how many?
- Has there been any degradation in the operational capability of the USS Lincoln or her airwing?
- What mental health resources are being provided to the crew?
- Have there been any suicides aboard the ship during this deployment? How many instances of detected suicidal ideation or attempted self-harm, including attempts to go overboard, has the Department recorded?
- What other medical resources are available aboard the ship, and are resources sufficient to meet the crew’s needs given the length of this deployment?
- What chaplain resources are available to the crew, and have they been adequate to the scale of need aboard the ship?
- What is the current state of good order and discipline aboard the USS Lincoln?
- What is the hygiene and healthy food situation on board, including the status of reported plumbing failures, water contamination, and food shortages?
- What is the extent of illness or injury aboard the ship, including full details of the reported man-overboard incident and any other similar incidents?
- What is the state of the families of the sailors and Marines aboard the USS Lincoln? What resources are being provided to them, and are they being kept informed on a regular basis about the status of the deployment and their loved ones’ wellbeing?
- Will the Department authorize a bipartisan congressional delegation to visit the Lincoln to conduct firsthand oversight of conditions aboard the ship?
As the Secretary of Defense, you are accountable to the men and women who serve our nation. It is time for you to demonstrate leadership, rather than peddle excuses. The servicemembers we send into harm’s way deserve nothing less.
Sincerely,
-30-